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December is our welcome to the coming Holidays Bring a favorite dish, the turkey is on the club Save room for all the good food. Also check out the tree that some of our members decorated at the Garden Center.
On meeting night bring your decorated bonsai so we all can enjoy them WE will share donated raffle items and someone will go home with a treasure There will be a sign up sheet for Terry Ward’s fourth Wed. study group, an excellent chance for a refresher and new ideas for our newer members Open to all Remember to collect your pot and Nandina (also two small rocks?) for our January program with Elaine There are only 40 places, so sign up early.
We will also need to know how many want to go collecting in January.
Many thanks to Chuck for the yearling workshop It looked like the helpers had a good time too.
This is the end of my two years, busy with help from all All the little things were big to me Friends kept the size of the mountains down to hills so that I could keep up I can’t say enough about all our great bonsai people.
Do come to our party, Sandra will do her magic and we will all have fun One of these days I need to learn to use this computer and type so Pat’s job is easier.
Dec. 13 Monthly Meeting
Christmas
Party!!!!!
7:30 PM
Zilker Garden Center
Refreshments by: Everyone
Dec. 20; NO Board Meeting
Dec. 25 Merry Christmas
Dec. 27 NO members workshop
2001
Jan. 6-7; Bay Island Bonsai
Haywood, Ca.
January 14; Club Dig (Tentative)
January 21; Club Dig; (Tentative)
Feb. 24-25; Bonsai-A-Thon
San Marino, Ca.
March 23-25; LSBF in; Dallas
Mar. 3l - Apr. 1 Zilker Garden Festival
April 12-15 ABS in New Orleans
May 19-20 Austin’s Annual Show
May 25-28 Bonsai Societies
of Florida
Orlando, Fl.
May 31-June 4; 4th World Conv.
Munich, Germany
Oct. 15-19 Bonsai
on Board - BCI
Royal Caribbean
Cruise Lines
The meeting was called to order by President, Alisan Clarke, at 7:35 PM. She asked Terry Ward to explain the display that he had set up so that everyone would have an idea of what they would be doing this evening He went into limited detail because of time.
Gloria Norberg presented the slate of officers, as published in our last newsletter Chuck Ware made the motion we accept the slate by acclamation Shelia Ware seconded and it was unanimous.
Chuck Ware exhibited the blue atlas cedar that Mas Imazumi did to replace the tree that cracked at the lecture/demo that he did We applauded the gentleman for “going the extra mile”.
Elaine White previewed the January meeting by example Then she explained the elements and what each person needs to do & bring.
Pat Ware showed an example of the Christmas decoration we hope to do for the Zilker tree we will be doing Those who do needlepoint were asked to do some Also, the budget was passed to everyone so that they could vote later.
The workshop started with the new members paired up with old members and working on Korean boxwoods.
The members not involved in that group were treated to a scroll painting workshop Fun was had by all
Eileen Deeter made the motion we accept the proposed budget, Don Rehberg seconded it, and it passed unanimously.
The meeting adjourned at 9:20 PM.
The LSBF State Convention; is early so fill out the forms TODAY and MAIL IN NOW!
REMEMBER! to bring a covered dish to the Christmas Party sign up sheet was forgotten at the last meeting.
The club will provide the meat and drinks plus Sandra Vitone will do the lovely table decorations. Bring a decorated BONSAI tree for all to see!!!!!; Bring some item for a raffle that all will enjoy - does not have to be bonsai related This is our last social for the year. Also, please bring any suggestions for programs for next year.
Attend, enjoy the camaraderie and have fun!
Alisan Clarke, President, called together Mike Powers, Gloria Norberg, Chuck & Pat Ware to go over the proposed budget Pat explained the differences from last year ; and that last year we had proposed a $1600. deficit , but to date have only a $1200. deficit which includes the $1000. donated to the State Exhibit which wasn’t in the budget This year’s proposed deficit is primarily due to the fact that we host the joint meeting this year All agreed to let the membership vote on this budget as is.
The November board meeting of the Austin Bonsai Society was called to order at 7:05 PM at the Austin Area Garden Center by President Alisan Clarke. It included both present and “soon to be” board members Present were Alisan Clarke, David Gordon, Candy and Mike Hansen, Els Ulug, Chuck and Pat Ware, Gloria Norberg, Jim Allan, Elaine White, and Charlotte Cranberg.
President Alisan called for a discussion of the budget as some questions had been raised Charlotte Cranberg moved that copies of the end of year statement reflecting the budget be made available at the January meeting The motion passed A copy of the budget has always been available for members to peruse.
Elaine asked for an annual pledge by the Austin Bonsai Society to the permanent exhibit Chuck Ware moved that we budget $500. in 2001 and that it be a line item in future budgets The motion passed.
Treasurer Pat Ware reported that $423.76 was the cost of the Gustafson visit after income and expenses were calculated.
December 1st the Christmas tree for the bonsai society will be decorated at the Garden Center.
Pat asked if we wanted to help the Moon Festival with replacing the lanterns that were lost in the storm James Allan moved that the Bonsai Society give $100 The motion passed.
The board agreed that we vote “yes” at the next Austin Area Garden Center meeting to add to their bylaws.
The Christmas party was discussed. Sandra Vitone will be in charge of the table decorations.
The meeting adjourned at 8:25 PM.
The President Buddy Allen called the meeting to order at l:03 PM.
Bob Swindle moved that the minutes of the last meeting be accepted as presented. John Miller seconded Motion passed.
Pat Ware distributed the Treasurer’s report Pat stated that only two clubs have submitted reimbursement receipts for Dennis Makishima’s programs and requested clubs to get their receipts turned in Airfare for Dennis was $70. higher Received refund from airline for Dan Robinson flights Texas speakers receive $75. plus 30 cents per mile for their programs Eight speakers are on the current list, which include Mike Hansen, Buddy Hensley, Marty Klajnowski, Vito Megna, John Miller, Yvonne Padilla, Chuck Ware, and Terry Ward Bob Swindle moved that the treasurer’s report be approved as submitted Yvonne Padilla seconded Motion passed.
Buddy Allen requested that any officers that have budget estimates for next year to please submit this information to Pat to include in the January Budget.
Chuck Ware reported very favorable response to Dennis Makishima’s programs, Buddy will send Dennis a thank you note.
Chuck recommended Hal Mahoney to be our Texas Tour artist in the fall of 2001 John Miller seconded Motion passed Attendees discussed the timing of the 2002 Texas Tour to be in the spring or summer with Mary Miller as the possible touring artist. Chuck will contact Mary regarding a spring or summer tour and report at the next meeting in January Chuck agreed to continue as the LSBF tour director Buddy requested that each club submit their preferred times to Chuck A vote tour time and artist will be tables until the January meeting.
Yvonne Padilla distributed the Convention financial statement A profit of $6,563.55 will be split between LSBF and Corpus Christi Bonsai club There were 72-74 full registrants this year compared to 90 in 1994. The raffles did very well Attendees agreed that the abbreviated report is a very good format.
John Miller distributed the LSBF Convention programs and registration forms for the March 23-25, 2001 The convention will be held at the Renaissance Dallas North Hotel Guest artist will be Pedro Morales, Craig Coussins, Greg Setter, Vito Megna, and David Schlesser Workshop and demonstrations materials will include Buttonwood, Trident Maples, San Jose Juniper, Japanese Maple, Shohin Black Pine, Caussurina, Shimpaku and Seiju Elm.
Chuck Ware presented an overview of the 2002 Bonsai convention in New Braunfels The convention will be held on November 15-17th at the Civic Center There are 8-10 motels in the area Twelve workshops will be held Friday afternoon, Saturday morning and afternoon and Sunday morning There will be exhibit, vendor, snack and storage areas Food will be catered or prepared on-site Artist signed up so fare are Mark Noelander and Dennis Makishima Materials will be Scot Pine, Black Bine, Azalea, Native Grape Vine, Japanese Yew, Crab Apple, Boxwood Microphylla, Jasmine, Chinese Box Orange and Korean Hornbeam.
Due to Spring 2001 and Fall 202 convention timing a motion was made by Libby Huffman to schedule the LSBF meetings to the Summer of 2001 & 2002 Pat Ware confirmed that the Austin Area Garden Center is available on June 23, 2001 and June 22, on 2002 Libby moved that these dates be placed on the garden center calendar Bob Swindle seconded Motion passed.
Suzanne Scott distributed and presented a sub-committee report to address the declining convention attendance and possible future convention locations, formats and programs After much discussions Bob Swindle made a motion that all delegates bring written plans, ideas and suggestions to the January LSBF meeting Yvonne seconded Motion carried After the vote it was suggested that; ask the clubs to send their written recommendations to Suzanne Scott by Christmas day so she can collate the responses for the January 20, 2001 meeting Terry Ward presented a written report on the definitions of a seminar and convention for consideration in future convention planning.
Chuck Ware stated that the Texas Stars demos at the conventions has outlived its usefulness and recommended that the clubs contribute small materials like trees, pots, stands, etc in lieu of the demo materials Chuck said the clubs could develop some pre-bonsai materials that could be used in the workshops and it would hopefully get more clubs to get their membership more involved in the convention It was recommended that delegates discuss this idea with their clubs and bring feedback to the January meeting.
Pat Ware stated she has the BCI speaker’s book if any of the clubs need to use it for reference.
Yvonne Padilla said her Brazilian Raintree is published the recent issue of Bonsai Today Congratulations Yvonne!
Elaine White state that the preliminary work to set up a State Bonsai Exhibit is underway with legal documents, survey of the proposed site, security planning, architectural advise and election of local Austin directors to work on long term planning Other clubs will be invited to participate in the planning once the up front paperwork is completed and long term planning development.
Terry Ward distributed the Texas Bonsai Annual Report 1140 copies were sent out at a cost of $859.13 which is 75 cents each Actual cost is 58 cents There are 4-5 advertisers this next year, Terry asked for feedback from each of the clubs on the number of copies they really need for their club distribution Terry recommended a budget of $925, which is a increase of $32. over last year’s budget ($27. is printing cost increase.) Bob Swindle moved we approve the budget as presented John Miller seconded Motion passed.
Terry distributed copies of the Texas Bonsai for delivery to the clubs by the delegates Terry also distributed a survey asking for the types of trees that have been successfully grown throughout the state The feedback results will hopefully eat to an article to encourage hobbyist, especially beginners to work with new varieties of trees Terry asked for feedback by Thanksgiving.
Bob Swindle moved to adjourn the meeting Chuck Ware seconded Motion passed.
Meeting adjourned at 3:45 PM.
Classes begin on Wednesday, January 24th and finish on Wednesday, March 28th Please see the calendar below for dates, locations, and times These classes are ideal for anyone wanting to gain bonsai skills and as a refresher for bonsai veterans It is not necessary to have taken last years classes to enroll in this series Classes are open to all skill levels and will be taught by Terry Ward.
The cost is $10.00 per person for the entire series You may register at the November or January club meetings or at Class 1. Make your registration check payable to the Austin Bonsai Society. Because classes are progressive, attendance is limited to registrants only.
Basic bonsai tools, a selection of aluminum bonsai wire and table cover, such as a garbage bag, will be needed. Minimum tools would be bonsai scissors, wire cutters and chop sticks. A concave cutter would be a most useful addition Details of what you will use will be covered in Class l.
There; are two additional items which are essential to bring to every class:; An eagerness to learn and a willingness to participate!
Please Note: Each class will begin promptly at the time shown.
Reprinted from Texas Bonsai, Summer, 1991
Editor’s note: This was the former editor of Texas Bonsai and in his editorial he added, “I realize that Americans are a law abiding people and MUST have a codified set of laws or a constitution by which to abide lest they become helpless and lost As bonsai has become a religion to most of us, I have given you something higher than mere laws They were given to me in a vision as I ascended Mount Fuji and are graven into a slab of Shimpaku wood with a jin graving tool.”
Beautiful records of the passage
Of seasons.... dwarfed and aged, survives
Natural rhythms of harmony,
Serenity, simplicity.
An ancient artistry steeped
In traditions.
Walking in the night,
Snow is falling,
A farewell to the year.
Shara
November 15, 16, 17, 2002
Put this date on your calender and circle it!
Plan your vacation at that time!
Austin and San Antonio are combining with LSBF to have the State Convention at that time It will be held at the Civic Center in New Braunfels All members in BOTH clubs will be working with each other to make this a success Everyone is excited about this new concept initiated at this Convention.
Offer your help and support!!!!!!
Don’t forget to give your volunteer hours to Don Rehberg
by Alisan Clarke
Expand your Bonsai and art experience in November with a workshop plus display art meeting. It is also time to select your new board so be sure to come and vote. Our budget for 2001 is “in the mill”, so if you know of monies needed, let the board know. You all know this has been an exceptional year; the board and some 15 other volunteers have been hard at work.
Anyone who can do needlepoint, sign up to do a Bonsai Xmas ornament. We will decorate a tree to be displayed at the Zilker Garden Center this year.
We will have sign up sheets at the meeting for:
This is a very busy time for everyone. We have so many new members, please talk to everyone. How about wearing an “ASK ME” badge? Then people will ask you questions about Bonsai and our club.
Two Programs at Once
Hands on Workshop in Art Alisan Clarke
Special Beginners’ Workshop Chuck Ware
7:30 PM Zilker Garden Center
Refreshments by: Gloria Norberg, Els Ulug, Rita Matthews
7:00 pm Zilker Garden Center
by Charlotte Cranberg
The monthly meeting of the Austin Bonsai Society was called to order at 6:30 P.M. on Saturday, October 14 at the Austin Area Garden Center by President Alisan Clarke, following a pot luck barbecue supper.
Nominating Chairman, Gloria Norberg, presented the following slate of officers for 2001:
There were no nominations from the floor so this slate will be voted on in November.
President Alisan asked for a vote on the Articles of Incorporation for the Texas State Bonsai Exhibit as published in the newsletter. Chairman, Elaine White moved that the Articles be approved. The motion passed unanimously.
The meeting adjourned and was followed by a lecture/demo by visiting artist, Herb Gustafson.
by Alisan Clarke
In addition to the “yearlings workshop”, the surprise hands on bonus event for our new members, we will have Elaine White explain what we will need to be looking for and what the club will be getting for us for the January meeting. Terry Ward has been kind enough to do a small display for us so that we will have a model and some understanding the tree, it’s stand and the background, with a scroll, that we so often see in a show.
Alisan will have examples of small scrolls, screens, hangings and panels that you can make. It will be a learn as you go evening, using brushes, inks and easy tricks. Fun for all, even the “I can’t do it” novices. Don’t be chicken! Sometimes it is hard to find small art pieces. Come and make your own art to go with your bonsai.
Should you be helping with the “yearlings”, they and you cam make a studio trip to do your pieces later. This is an abstract form of sumie that is adaptable to our needs.
by Charlotte Cranberg
The board meeting of the Austin Bonsai Society was called to order at 7:15 P.M. on Wednesday, October 18 at the Austin Area Garden Center by President Alisan Clarke. Those that were present were: Alisan, Gloria Norberg, Charlotte Cranberg, Terry and Shelia Ward.
Terry Ward presented a proposal for a bonsai class schedule to meet every 2 weeks in January through March of 2001.
The board decided that no absentee ballots will be published in the newsletter for the election of officers in December because the slate is uncontested.
The board approved decorating a Christmas tree in the Garden Center as there will be no cookies to supply this year. The Garden Center provides the tree, table, and lights.
Alisan announced that Dennis Makashima will be one of the headliners for the 2002 LSBF Convention. Also, that with the reimbursement from LSBF, our expenses were exceeded by income on Dennis’ visit by $133.74.
New board members will be invited to come to the November board meeting. All members who do specific jobs for the club should bring job descriptions to the November 8 club meeting.
The program for January and digs in January and February were discussed. The meeting adjourned at 8:15 P.M.
|
Protect from Cold |
Semi-Hardy |
Honeysuckle |
|---|---|---|
|
Aralia - all varieties |
Bamboo - in pot |
Jasmine - confederate |
|
Barbados Cherry |
Azalea |
Juniper - most |
|
Bougainvillea |
Blood Grass |
Ligustrum/Privet |
|
Brush Cherry |
Camellia (don’t let buds freeze) |
Maples - all |
|
Burcera Fagaroides |
Hokkaido & Seiju & Catlin elms |
Myrtle - all |
|
Bucida Spinosa(Black Olive) |
Gardenia |
Nandina |
|
Bucida Burcera(Black Olive) |
Olive - Olea Europs |
Oaks |
|
Buttonwood |
Pyracantha - never below 25 F. |
Osmanthus |
|
Calliandra (Powder Puff) |
Yaupon Holly - never below 25 F. |
Okinawa Holly (indoors) |
| Carissa (Natal/African Plum) | Peach |
|
|
Cardboard Palm |
Need 6-8 Week Cold Period |
Persimmon |
|
Ficus - all varieties |
Abelia |
Pine |
|
Fukien Tea (never below 45 F.) |
Althea |
Pyrus Kawakami/Calley |
|
Ivies - all varieties |
Apple/Crabapple |
Pittosporum |
|
Jacaranda |
Arbovitae |
Plum |
|
Indoor Oak (Nicodemia) |
Azalea - Satsuki may be indoors |
Podocarpus (indoors) |
|
Ixora |
Bald Cypress |
Pistachio |
|
Jasmine - Duke |
Barberry |
Quince |
|
Jaboticaba |
Camellia |
Raphiolepsis: Redbud |
|
Malphighias - Cocigera & Glabra |
Chamaecyparis |
Rosemary |
|
Orange - all citrus |
Cotoneaster |
Spirea |
|
Papyrus |
Cryptomeria |
Spruce |
|
Satinwood |
Cypress |
Sweet Gum |
|
Sea Grape |
Elms - Chinese & American |
Tallow |
|
Sageretia |
Forsythia |
Viburnum |
|
Serissa (Snow Rose) |
Ginkgo |
Willow |
|
Texas Ebony |
Grape |
Wisteria |
|
Zamia Floridana |
Holly - most |
Zelkova |
The above list courtesy of Edith Sorge, deceased, of The Bonsai Farm as printed in our October, 1996 Bonsai Notebook,
It was suggested, that as we have so many new members, this information may prove beneficial to them. Of course, it is possible that some of our older member might like the “refresher” too. Please advise if there is any other information worth repeating.
A series of five classes, designed to be a progression of last years introduction to bonsai series, is being offered to all club members of all skill levels. Classes will cover improving skills in temperate material, pruning and wiring techniques, along with design concepts. Emphasis will be placed on how to select plants for bonsai - how to see the bonsai in rough material.
Classes begin on Wednesday, January 24th and finish on Wednesday, March 28th. Please see the calendar below for dates, locations, and times. These classes are ideal for anyone wanting to gain bonsai skills and as a refresher for bonsai veterans. It is not necessary to have taken last years classes to enroll in this series. Classes are open to all skill levels and will be taught by Terry Ward.
The cost is $10.00 per person for the entire series. You may register at the November or January club meetings or at Class 1. Make your registration check payable to the Austin Bonsai Society. Because classes are progressive, attendance is limited to registrants only.
Basic bonsai tools, a selection of aluminum bonsai wire and table cover, such as a garbage bag, will be needed. Minimum tools would be bonsai scissors, wire cutters and chop sticks. A concave cutter would be a most useful addition. Details of what you will use will be covered in Class l.
There are two additional items which are essential to bring to every class: An eagerness to learn and a willingness to participate!
Please Note: Each class will begin promptly at the time shown.
START WITH OUR NEW BOARD FOR 2001 then keep going all the way up to the Presidential election
In a short life,
An hour of leisure,
This autumn evening.
Buson
Happy Thanksgiving!
Put this date on your calendar and circle it! Plan your vacation at that time! Austin and San Antonio are combining with LSBF to have the State Convention at that time. It will be held at the Civic Center in New Braunfels. All members in BOTH clubs will be working with each other to make this a success. Everyone is excited about this new concept initiated at this Convention.
Offer your help and support!!!!!!
by
Alisan Clarke
Our auction this year was a wonderful success. Many thanks to all for the funds, fun and funny skits. Seems I missed the retirement of Audrey’s #1 card for her long time bonsai Austin participation. Something about working with little pots back in 1956? Special thanks to Bill Cody and his popular hot item trees. I understand the auction was a little racy, trying to get the best trees.
Sherri Westra needs to step down from her refreshments job. Thanks for helping me these last busy months, Sherri. I would love to have someone help me with this again as it will free me to visit and hear your concerns during the 30 minutes before meeting time.
Gloria Norberg will be asking for names of those to help with our board this next year. Don’t be shy. New members are very, very welcome. We have at least 20 volunteers who keep our club going. Without their constant work from name tags to library reports, hands on study group to advice for new members at meeting time, everyone helps.
Our phone callers are trying to get to everyone to remind you of our workshops and meetings. Please check the newsletter, just in case we only get your machine.
Oct. 14 Monthly Meeting
This is Saturday!!!!!!
Noon to 4 PM
Herb Gustafson workshop
5:00 PM to 6 PM Dinner & “Meeting” 6:30 PM to 9:30 PM
Herb Gustafson Lecture/Demo
Zilker Garden Center
Refreshments by: Everyone
Oct. 18
Board Meeting
7:00 pm Zilker Garden Center
Oct. 25
NO members workshop
Nov. 3,4,5, & 6
Golden State Bonsai Fed.
Oakland, California
2001
January 14
Club Dig
January 21
Club Dig
March 23-25
LSBF in Dallas
Mar. 3l - Apr. 1
Zilker Garden Festival
April 12-15
ABS in New Orleans
May 19-20
Austin’s Annual Show
May 31-June 4
4th World Conv. in Germany
Jim Allan, Vice President, called the meeting to order at 7:35 PM. He reminded everyone about the workshops with Dennis Makishima and Herb Gustafson.
Elaine White spoke on the permanent exhibit which will officially be called the Texas State Bonsai Exhibit. The area has been staked off, a surveyor will be working, possibly, September 23 or 30; AND there is the chance that he will donate all or part of his $1,000 to $1,500. fee. Articles of incorporation are ready to be sent but have to be approved by this membership; so, they are published elsewhere in this newsletter and the vote will be taken before Mr. Gustafson starts his lecture/demo on October 14th.
Jim Allan then advised that the board recommended that we donate $1,000.00 to the permanent exhibit. Chuck Ware made the motion that we do so and Roger Patterson seconded. The motion carried unanimously. Then the subject of the directors was brought up Chuck Ware made the motion that John Pittenger, Bill Cody, Elaine White, Alisan Clarke, Audry Lanier, Mike & Candy Hansen, Terry and Shelia Ward be nominated as directors. Roger Patterson seconded and the motion carried unanimously.
Gloria Norberg announced that Shelia Ward and Mike Hansen were on the nominating committee with her and that they would present the slate of officers at the October meeting.
Just as the auction was to begin, Audry Lanier and Don Rehberg were satirically “honored” for their long time commitment to the club. The auction then proceeded without incident and enjoyed by all.
Mr. Gustafson started studying bonsai 45 years ago. He has completed apprenticeships in China and Japan under the guidance of Toshio Kawamoto, Tom Yamamoto, We Ye-Sun, T’ai Ichi Katayama and Kenji Murata. He was honored to be asked to care for some the National Treasures of Japan as well as the private personal bonsai collection of Emperor Hirohito inside the Imperial Palace in Tokyo. Mr. Gustafson’s personal collection of bonsai has 3 trees over one thousand years old, including the oldest known bonsai in the world at 1392 years of age.
He has lectured on bonsai in over 30 countries around the world and has appeared on radio and television programs teaching bonsai, including the syndicated “Ask an Expert” public information program broadcast nationwide. He has taught bonsai for 22 years at Portland Community College, Lane Community College and the University of Oregon. He is a certified U. S. Dept. of Agriculture Advanced Master Gardener and has taught landscaping and ornamental horticulture through the Oregon State Agriculture Extension Service. He is the past president of the Portland Bonsai Society, Honorary Life Member of the Bay Area Bonsai Society, past president of the Eugene Bonsai Society and is now serving his third term as Director of Bonsai Clubs International.
Herb is credited for being the most published bonsai author in the world. His 18 published works also include Penjing, Pensai, Saikei, Bonseki, Bonkei, Suiseki and Japanese Garden Design.
Hobbies include singing opera, composing music on his synthesizer, golf, and cooking. He is a recent graduate of the Cordon Bleu Culinary Institute in Paris, and is working on his next book; a cookbook extolling the virtues of Pacific Northwest seafood.
by Charlotte Cranberg
The September board meeting of the Austin Bonsai Society was called to order on September 20, 2000, at 7:30 PM at the Austin Area Garden Center by President Alisan Clarke. Present wee Alisan Clarke, Gloria Norberg, Pat and Chuck Ware, Jim Allan, and Charlotte Cranberg.
Treasurer, Pat Ware announced that the auction earned the club the amount of $1,169.00. The board then thanked all who donated and purchased items.
The newsletter was discussed and it was decided to include the full Articles of Incorporation of The Texas State Bonsai Exhibit in the next newsletter even if the addition pages raised the cost of postage. The membership will vote on this before Mr. Gustafson’s lecture/demo.
Gloria reported that she and her committee have the slate of officers almost complete to be presented just before Mr. Gustafson’s lecture/demo so that the membership will be able to vote at the November meeting. Of course, any nominations from the floor will be accepted at the October meeting.
It was voted to dispense with having the bank return cancelled checks to the treasurer. A change in bank policy is now costing the club $2.00 a month for this service.
The treasurer reported a total of 69 memberships (the number of people is increased when you include spouses), which is the highest membership she has record of.
The meeting adjourned at 8:25 PM.
The following new members are eligible for a special free workshop that will be at the November meeting. Please contact Alisan Clarke or Pat Ware if you will be attending - we need to be sure we have trees for everyone.
The November meeting will be divided and this is the club’s way of saying “thank you” for continuing your membership with us, and hope you will be with us for many years to come.
If you haven’t signed up for the workshop on Saturday afternoon, do so! There are a couple of spots left to learn how to do saikei. You read about it in last month’s newsletter, now learn how to do it. Contact any of our many vendors if you need material or need advise as to what to bring. Of course, members may observe silently for free.
Calm days.
The swift years
Forgotten.
----Taigi
“Bonsai are meant to be enjoyed. From the inception of the idea for a possible form to the tree itself many seasons and years later, a bonsai is an object of enjoyment.” This is the first paragraph of an article written by Bill Goslin in the San Antonio newsletter Snips ‘N Clips, October 2000 Something for all of us to think about and ponder as we go forward in our hobby.
If you haven’t been contacted about serving on the board of this organization, and you wish to do so, contact Gloria Norberg OR nominate yourself from the floor at the October meeting -- that is the only time nominations can be taken from the floor! Participate! You’ll enjoy it!
Offer your help and support!!!!!!
Editors’ Note: Thought this might get some of you enthused about the digs that we will be having in January. Be sure you come out and participate; although not as “exciting” as this story, I’m sure.
by Glenn Lewis
It seems that if I’m having fun, I mean if the tingle is there, somebody’s law is being broken. I felt this as Dr. Folse’ skiff rounded the river’s bend as we skirted the sand bar. When we cast off at first light, the weather was perfect - cool with a lot of ground moisture and the air was crisp.
We were looking for any plant that was not long and leggy. The type of plant that has my interest looks as if the I.R.S. has just done a number on it - a bit in shock, stunted and a little low to the ground.
The Nueces River in South Texas produces Cedar Elms (Ulmus crassifloria), Jerusalem Thorn (Parkinsonia aculeata L.) and Hackberry (Celtis occidentalis L.) fitting it the criteria. Paranoia set in when I recognized Scott, the Texas Parks and Wildlife Warden, poling his skiff in our direction. I wasn’t too concerned about the cat and mouse game about to begin. The boat equipment and papers were in order. The confusion would be in who owns what - does private property end at the vegetation line or center flow? “Be nice, Jocko”, I whispered to Glenda’s black Lab while snapping is chain to the rail. The guard hairs on his back were standing on end. “Watcha doin’?” With a rush of blood, the difficult task of explaining bonsai began. I was mumbling about being Past President of a club, having shown miniature trees at the Flower Show and Museum of Oriental Cultures. I was getting nowhere with the question. Stunted trees - that’s it - we are looking for stun--”. He looked at his buddy and smiled. I felt like turning the dog loose. The two skiffs were now well in the current, slowly drifting in the center of the stream for the Gulf of Mexico. Looking up on the bank was a stand of Cedar Elms, perhaps 5 or 9, in winter silhouette. What a group! A strong center upright tree with the others growing out and away, grasping for their share of this good earth. Damn, I wish I could duplicate that in a tray.
“Look, Scott, we’re collecting trees that are naturally, in nature, being abused and deprived. No one wants them, not even the Governor.” He took his push pole and eased the two boats apart and said, “I don’t know whatcha doin’ but have fun.” I was still trying to convince myself about doing plants a favor as he slowly pulled from sight.
The trees on the Nueces do not have it easy, with people and industrial pollution. Both the river and plants have suffered. When a Texas “blue norther” blows in, dumping 4 inches of rain with high winds, the river can roar. The discarded roofing material and sleeper sofas scraping the banks do a lot of pruning. This condition interests me, for the trees have low branches and the ever changing river bank leaves some tap roots exposed. The digging is simple, since the clay contributes to a tight root ball. The old, exposed roots, when cut and treated with hormone and treated as a green stick cutting, sprout feeder roots right away.
At the end of collecting in an area, notes should be taken of equipment, conditions and needs for future outings. Collecting is a real effort, so do it right.
The next group of trees to be liberated are oaks growing on a sandy dune, worn from time and the ever present southeast bay wind. I feel the tingle and know Jocko is saying, “Let’s go, Boos.” As I throttle the whaler upon plane, I slowly look over my shoulder and watch the beautiful rays of the early morning sun. I’m just feeling good.
Reprinted from Texas Bonsai, publication of LSBF, Summer, 1987 and February, 1987 newsletter of Corpus Christi Bonsai Club.
We will be voting on the Articles listed below just before the Gustafson lecture/demo. Please read so you will be informed!
Pursuant to the provisions of the Texas Non-profit Corporation Act, the undersigned corporation (the Corporation) adopts these Articles for the regulation and management of its affairs.
Article I. The name of the organization shall be The Texas State Bonsai Exhibit. It shall be located within the boundary of Zilker Botanical Gardens, 2220 Barton Springs Road, Austin, Tx. 78746. Its Charter number is ______________________.
Article II. The period of duration is perpetual.
Article III. Purpose of the Corporation. The Corporations is a non-profit Corporation organized exclusively for charitable and educational purposed within the meaning of section 501 (c) (3) of the Internal Revenue code. Its Purpose is to:
Article IV. Membership.
Section l. This corporation shall be self-governing, non-partisan, non-sectarian, and non-profit in accordance with 501 (c) (3) of the Internal Revenue Code.
Section 2. Membership is available to anyone interested in the art of bonsai. No one shall be denied membership in this corporation based on their race, color, sex or creed
Section 3. Membership shall be by application and payment of annual dues.
Section 4. Classes of non-voting memberships.
- Individual Membership.
- Family Membership, defined as immediate family, all living at the same address.
- Honorary Membership. The Board of Directors may designate certain individuals as Honorary Members in recognition of the past and current achievements of those individuals in the art and science of bonsai on either a local or national level.
- Donors. Donors are individual members or member clubs recognized for special contributions to the corporation.
Section 5. Voting Membership. Voting members shall be the Officers and Directors of the Corporation and all members in good standing of the Austin Bonsai Society.
Section 6. Liability of members.
- All persons or corporations extending credit to, contracting with, or having any claim against this corporation shall look solely to the funds and property of the corporation for payment of any such contract, claim, debt, judgment or any money that may in any way become due from this corporation.
- Neither the members of this corporation now the Board of Directors shall be personally liable for any debts, liabilities, or obligations of the corporation.
- This organization is a non-profit society, the members of which shall not be entitled to or share rights in this corporation but such rights and assets shall be held and constituted to be the indivisible property of the corporation. No pecuniary profits or payments of like nature shall ever be declared or paid to the members of this corporation.
Article V. Meetings.
Section 1. Annual Meeting. An annual meeting of the Corporation voting membership shall be held annually in accordance with the by-laws to present annual reports from the officers on the state of the Corporation to elect the Board of Directors, and present the budget.
Section 2. A quorum shall consist of a majority of the voting members present at the time of the vote.
Section 3. Meetings of the Board of Directors shall be called when necessary at a place and time convenient to most.
Section 4. Roberts Rules of Order shall be the governing rules for conducting all meetings.
Article VI. Elections.
Section 1. The Corporation is managed by the Board of Directors as elected by the voting member ship. The number of directors shall be no less than four and be determined by the board as necessary.
Section 2. The names and addresses of the initial Board of Directors and successors as elected un der Article VI, Sect . 3. are as follows:
- Elaine White
- Terry Ward
- John Pittenger
- Shelia Ward
- Alisan Clarke
- Mike Hansen
- Audrey Lanier
- Dr. Candy Hansen
- J.R. (Bill) Cody, MD
Section 3. Selection of Officers. The officers, Chairman, Vice Chairman, Secretary, and Treasurer shall be elected by the Board of Directors each year no later than 90 days after the annual meeting.
Section 4. Removal. Any officer or director may be removed by the affirmative vote of the majority of the Board of Directors.
Article VII. Duties of officers.
Section 1.
Chairman - shall preside at all meeting of the Board of Directors and may form commit- tees as needed.
Vice-Chairman - presides in the absence of the Chairman
Secretary - shall record and file minutes of the meetings of the board and the annual meeting requiring a vote and shall conduct all correspondence required by the corporation.
Treasurer - shall be responsible for the collection of dues, donations and other funds of the corporation as well as a list of membership and donors. A record shall be kept of all receipts and disbursements and a summary provided at each meeting. An annual financial report shall be prepared for the November general membership meeting. A tax return shall be filed as necessary.
Article VIII. Finance
Section 1. Fiscal year. The fiscal year and the calendar year shall be the same.
Section 2. Dues. The Board of Directors shall determine the membership fees. Dues not paid 60 days after January 1st. shall be delinquent and membership automatically canceled. If member ship ceases for any reason, no refund shall be made.
Section 3. Expenditures. Any expenditure of funds shall first be presented to the Officers for approval. Any expenditure over $500. shall be approved by the Board of Directors. Expenditures made without the aforementioned approval shall be made at the individuals personal risk.
Section 4. Contracts. Unless authorized by the Board, no officer or member shall have authority to bind the corporation by contract or agreement or render it liable for any purpose or for any amount.
Section 5. Payments. All checks, drafts and orders for the payment of money issued in the name of the corporation shall be signed by the Treasurer or Chairman in the Treasurers absence.
Section 6. Financial Audits. A financial audit of the Treasurers’ books shall be required upon transfer ring the books from one treasurer to another and at the close of the Corporations’ fiscal year. Such audit will be performed by a committee appointed by the Chairman consisting of three members of the Corporation in good standing.
Section 7. Budget. The Treasurer shall submit a Board approved binding annual budget for the coming fiscal year to the voting membership for their approval at the annual business meeting. The changes will be done in accordance with the bylaws.
Article IX. Name usage.
The name, The Texas State Bonsai Exhibit, shall never be used by any persons, firms or corporations without the written permission of the Board of Directors.
Article X. Amendments. Amendments are discouraged and may be permitted only as required.
Section 1. These Articles may be amended at any meeting of the voting membership provided that notice of such meeting and its purpose shall have been given to all members in good standing of the Corporation at least sixty (60) days prior to the date of such meeting. The Secretary shall make all reasonable effort to contact each member. The proposed amendment shall have been approved by a majority of the Directors present and voting at a regular meeting of the Board prior to the giving of notice to the membership.
Section 2. A minimum of three months must elapse between a meeting defeating a proposed amendment and a new proposal to approve the same or a substantially the same amendment.
Article XI. Dissolution. In the event the voting membership and Directors conclude that the organization can no longer function in the manner provided in these articles, it shall be dissolved.
Section l. Procedure. The corporation may be dissolved and the assets distributed by a vole of a majority of all current voting members, which will constitute a quorum.
Section 2. Distribution of Assets. All assets remaining after payment of any debts shall be transferred to the Austin Bonsai Society or another non-profit bonsai organization or organizations in the State of Texas, having tax exempt status under the existing provisions of the Texas Non- Profit Corporation Act.
Article XII. By-laws. By-laws of the Corporation shall be drawn by the Director for the government of this Corporation.
by
Alisan Clarke
Remember our auction. Bring trees, white elephants, baked goods, and even Christmas things. Come share in the fun!
This month we have an extra two days of bonsai events - a Monday workshop and a Tuesday demo. Check the newsletter for details and times. For new members, these are great opportunities to know the Austin bonsai community and to broaden your experience with our local and guest experts.
I want to make special mention of Jim Allan's efforts with our web site (www.main.org/bonsai). It has been a great addition to our bonsai news. Ron Westra's photos are displayed and are being distributed to requesting members of the club e-mail list. Be sure to join. Thank you Jim and Ron for this great work.
Remember to sign up for the Makishima & Gustafson workshops.
The silence!
The voice of the cicada
Penetrates the rocks.
Basho
Sept 13 Monthly Meeting
ANNUAL AUCTION
7:30 PM
Zilker Garden Center
Refreshments by:
Liz Cody
David Gordon
Sept 20 Board Meeting
7:00 pm
Zilker Gardens
Sept 25 Dennis Makishima Workshop
7:00 pm
Zilker Garden Center
Sept 26 Dennis Makishima Lecture/demo
7:00 pm
Zilker Garden Center
Refreshments by:
Sandra Vitone
Del DeLos Santos
Sept 27 No Members workshop
Sept. 7 - 10 IBC - Rochester, N.Y.
Sept. 15 - 17 Pacific Northwest Conv. XI
Victoria, BC
Nov. 3,4,5, & 6 Golden State Bonsai Fed.
Oakland, California
March 24-26 LSBF in Dallas
April 12-15 ABS in New Orleans
May 31-June 4 4th World Conv. in Germany
There were no minutes taken as we all had an enjoyable time in San Antonio. The food was great as always. The demonstration was unusual. A large cedar elm was to be styled. First Gary Martilla of San Antonio got up made the first cut and his suggestions as to how the tree should look in the end. Then Don Rehberg and Eileen Deeter of Austin lowered the top so it didn't hit the lights anymore. Ray Hernandez of San Antonio thinned it out and discussions ensued about whether a couple of branches should or should not be removed. This became a mute point when Bill Cody of Austin got up and sawed (with the help of un-named parties) the top and really shortened the tree. Ron Westra of Austin and a few others thinned some and decided it would be better for the tree to grow some more and not be potted. Gary Martilla won the tree in the raffle.
Dennis was born and raised in the San Francisco Bay area; growing up in the local Japanese American community. He had been exposed to bonsai his entire life, but did not take a lesson until 20 years ago; and was fortunate to have studied with many prominent bonsai instructors from the area. Currently, he is continuing his association with Mas Imazumi of Berkeley and Hiroshi Suzuki of San Francisco; but has served a one-and-a-half year apprenticeship with bonsai master Yasuo Mitsuya in Toyohashi, Japan. His was the second apprenticeship to be sponsored to Mitsuya-san's nursery.
He is a past Education Chairman of the GSBF, which he enjoyed most because of the exchange of bonsai knowledge with others, and has taught aesthetic pruning for 10 years in the Horticulture Department at Merritt College in Oakland. It was there he instituted a most successful program for promising bonsai artist and established the Merritt College Bonsai Club. These Merritt College students distinguish themselves by offering needed assistance at many of the Golden State's Northern events.
Having a bonsai background has helped him tremendously in his occupation as an ornamental tree pruner. He specializes in the aesthetics of pruning small, focal point trees and old, historically significant trees. He believes one should always respect nature, the trees on which we work, and creative process of fellow hobbyists.
For over the past 10 years, he has conducted numerous lectures, workshops and demonstrations throughout the United States. His favorite topics in bonsai are Japanese Black Pine, Maples, Shimpaku Juniper, Chamaecyparis, Flowering Trees, the Art of the Winter Silhouette and Finding the Line of a Tree.
by
Charlotte Cranberg
The board meeting of the Austin Bonsai Society was called to order at 7:15 PM on Wednesday, August 16th by President Alisan Clarke. Present were Alisan, Chuck and Pat Ware, Gloria Norberg, and Charlotte Cranberg.
The September meeting and auction was discussed as well as programs for the rest of the year. Two digs were proposed for February 2001.
Gloria Norberg accepted the position of chairman of the nominating committee.
A sign up sheet will be passed around at the September meeting for the October 14th barbecue for the Herb Gustafson lecture and demo.
The meeting adjourned at 8:15 PM.
Excerpts taken from Miniature Living Bonsai Landscapes, The Art of Saikei by Herb Gustafson (with his permission)
Saikei literally translates as "planted landscape" or it is the art of the living landscape. A classic form of bonsai, it uses miniature trees, rocks, soil, water, and related vegetation such as ground cover to form replicas of gardens, deserts, landscapes, and other beauties of the natural world, evoking the visual pleasure one finds in nature. Whereas size limitations are not part of the definitions, they are a very real part of the practicality of each art form. A mountain setting, for example, would have very small trees as compared to the rocks. However, being able to move the finished work may preclude trees taller than four inches high!
Whether it's the cool serenity of a hard-to-find cave, the warm, spicy colors of the desert, or the lush, green delights of a forest paradise, anyone can use saikei to capture the beauty and essence of their favorite spot on earth on a small scale. Saikei encourages the use of small, young, and developing trees. Since the youngest plant material is used, saikei is the least expensive bonsai art, and is perfect for beginners, who can construct landscapes in a matter of hours, take them apart, and start over again.
The illusion and scale of the plant is more important than the species itself. Select individual plants for their dwarf characteristics and avoid using fast-growing varieties. Generally speaking, most saikei material needs to be smaller, younger, and more delicately shaped than bonsai material. Sometimes it is helpful to sketch out the rough outline of a design on paper. The drawing should not be a work of art, it should just represent the scale of the rocks, plants, and container fairly accurately; then shop for the appropriate-sized materials. Always consider the weight of your completed planting.
Good miniature landscapes take advantage of the visual phenomenon of perception of depth.. The use of close, middle, and distant focal points adds interest
and personal involvement for the viewer of the planting. Depth may be provided by the most subtle of elements. It might be provided by a curving path going "out of sight", a single distant tree, or a bubbling stream source just out of view. It does not have to be as obvious as a distant snow-capped peak. Just the idea that some of the back trees are hard to see is sometimes all that is needed. It draws viewers into the planting. Viewers will want to move towards the saikei, and adjust their eyes back and forth a bit to see the distant trees in the back of the planting.
Rocks, stones, and gravel can be found in many places. The easiest and most available source tends to be masonry and landscape supple yards. These establishments offer the best source for most miniature landscape enthusiasts - especially for those who do not get out into the country often.
One further element that needs to be considered is the role of color in the concept and perception of depth. Artists have for centuries noticed how objects in the distance appear to be more blue than the same objects nearby. The lush greens of the foreground give way to increasing blue tones.
There are five elements of landscape style: harmony (if one aspect of a work of art "sticks out like a sore thumb," the art is not likely to be in harmony), consistency (agreement of all the parts of a complex thing with itself: same kind of rocks, colors similar, one tree slants - they all slant, etc.), balance (the mental act of comparing or estimating two or more elements against each other), scale (comparative sizes of trees to rocks, trees to moss, rocks to gravel), interest (to gain the attention or excite the viewer).
Remember: An optical illusion is what we are seeking to create.
Dennis Makishima will be our guest artist in September brought in by the Lone Star Bonsai Federation. We will have a "bring your own tree" workshop on September 25 at a cost of $35.00 and limited to 8 people. Be sure to sign up and learn from this experienced teacher (Bio on page 3) Pine, juniper, deciduous or flowering trees would be fine to bring. He does not work with power tools or native Texas trees. He has been in bonsai for 20 years and was the past education chairman of Golden State Bonsai Fed.
BE THERE!!!!!
WHERE: TEXAS LAND & CATTLE
WHEN: SEPTEMBER 26, 2000
TIME: 5:00 PM
WHY: MEET DENNIS MAKISHIMA
The restaurant is located on the northbound access road next to Mopac. Get off at the Rollingwood, Zilker Park, exit and go north a few hundred feet. It is on the right hand side. Everyone pays for their own meal. They have a large menu, besides steaks.
REMEMBER TO BRING YOUR ITEMS TO OUR SEPTEMBER MONTHLY MEETING AND BE PREPARED TO SUPPORT THE CLUB - THIS IS OUR ONLY MONEY-MAKER FOR THE YEAR. Use the tags that are on the last page of this newsletter.
Our October meeting will be on Saturday, October 14 because of commitments of the Garden Center. Our guest speaker will be Herb Gustafson from Eugene, Oregon. We will have a saikei workshop in the afternoon, barbecue dinner, and then a lecture/demo on saikei. The "bring your own trees for saikei" workshop will cost $60.00. You can use any pot you wish but no larger than 24 inches and you can use one to nine trees (no more than 9). Start looking around for rocks you can use in the arrangement. These limits are to be sure everyone can finish their saikei in the allotted time from noon to 4 pm. The limit is 10 people.
Anyone who would like to seek office for the 200l year, see Gloria Norberg, our nominating committee chairperson.
The Shohin Society's next meeting is Saturday, September 16th starting at 10:30 AM. Marty Klajnowski of San Antonio will give a program on pomegranates, which is one of the best flowering and fruiting trees for shohin bonsai. Also on the agenda is discussing our November dig and deciding on programs for 2001.
Following the program there will be a "do your own thing" workshop. Bring anything you would like, especially pomegranates, to work on from raw material to restyling. There will be lots of help available. You can just observe if you like.
Everyone is welcome to attend and take part in the meeting and workshop. The Shohin Society has no fees or dues. Bring a brown bag lunch or enjoy hot dogs provided by our Shohin Society "kitty".
Meetings are at Persimmon Hill Bonsai, 12001 Red Hawk Cove in Austin. Questions? Please
call Terry or Sheila at 512-280-5575 or email to TexShohin@aol.com. We usually break up
about 2:30 PM. Come to learn, share and enjoy shohin bonsai with enthusiasts from throughout
the state.
Offer your help and support!!!!!!
Show Chairpersons: Chuck & Pat Ware
Registration Chairpersons: Greg & Shelia Setter
Treasurer: Arlene Hastings
Vendor Chairpersons: Mike & Candy Hansen
Goodie Bag Chairperson: Libby Huffman
Exhibit Chairperson: Marty Klajnowski
Transport/Hospitality Chairperson: Gary Martilla
Co-Chairperson: Rachel Cynwinski
Publicity Chairperson: Elaine White
Raffle Chairperson: Gloria Norberg
Co-chairperson: Alfred Lopez
Monitor Chairperson: Jeff Holmes
Co-chairpersons: Audrey Lanier
Charlotte Cranberg
Food Chairperson: Sandra Vitone
Co-chairperson: Mary Martini
Logo/theme Chairperson: Jim Bauman (Jimbo)
Co-chairpersons: Jordan Merson & Alisan Clarke
by
Alisan Clarke
Our joint meeting is coming up soon, on Saturday, August 5th.Bring a favorite dish to share, call a friend to car pool, check this issue for the map and come to San Antonio 3 pm to 8 pm. This is always fun and San Antonio does a great job. Gloria, Charlotte, and I will try to call you all to remind you.
Next month will be our auction. I am trying to master my watering techniques while I talk to my trees an encourage them to look ahead to cooler weather.The should look good at auction time.This is always fun and will add to our club activity funds.
Check your calendar for hands on club classes and new workshops.
I sit cooling beneath it,
Looking up
At the great tree.Kyoroku
Aug5 This is
Saturday!!!!
Joint Meeting with San Antonio
See map
on pg. 3 in Newsletter
Windcrest RecreationCenter
9806 Jim Seal Drive
San Antonio, Tx.78239
Refreshments by: Everyone
Aug
16 Board
Meeting
7:00 pm
Zilker Gardens
Aug
23 Members Workshop
Tropicals
7:30 pm
Zilker Garden Center
Aug. 25 - 27Austin Home & Garden Show
Sept. 7 - 10 IBC - Rochester, N.Y.
Sept. 15 - 17 Pacific Northwest Conv. XI Victoria, BC
Sept.25 & 26 Dennis
Makishima HERE
Dennis Makishima will be our guest artist in September brought in by the
Lone Star Bonsai Federation. We will have a "bring your own tree"
workshop on September 25 at a cost of $35.00 and limited to 8 people. Be
sure to sign up and learn from this experienced teacher. Pine,
juniper, deciduous or flowering trees would be fine to bring. He
does not work with power tools or native Texas trees. He has been in
bonsai for 20 years and was the past education chairman of Golden State Bonsai
Fed.
Nov. 3,4,5, & 6 Golden State Bonsai Fed. Oakland, California
2001
March 24-26 LSBF inDallas
April 12-15ABS in New Orleans
May 31-June 44th World Conv. in Germany
by
Charlotte Cranberg
President, Alisan Clarke, called the July 8, 2000 meeting of the Austin Bonsai Society to order at 6:30pm at the Zilker Garden Center following a pot luck barbecue supper and afternoon workshop with Boon Manakitivipart.
Jimbo spoke on the upcoming joint dinner meeting on August 5th in San Antonio of the two combined clubs.He also mentioned that there will be a meeting of the joint 2001 Convention meeting while there and anyone who wants to join, please come.
Alisan reported on the meeting at Zilker Botanical Gardens over the proposed permanent collection. Terry Ward provided topography map of the area and members walked the site. Photos of the Oakland, California, display were shown and an example.
Chuck Ware introduced Boon Manakitivipart, who gave the lecture-demo on an old Yaupon Holly.The demo tree was raffled off at the end of the meeting and won by one of our new members.
You might be lucky enough to win it and be the prize of your collection.
Bring your favorite covered dish!
Take I 35 South, past 1604, Judson Road, and O’Conner Rd.
Exit Randolph
Blvd.
Continue South to Crestway and turn right.
Jim Seal and the
Recreation Center will be on your left just after the Stop Sign.
by
Charlotte Cranberg
The regular meeting of the board of the Austin Bonsai Society was called to order on Wednesday, July 19th at 7 PM by President, Alisan Clarke. Present were Gloria Norberg, Pat and Chuck Ware, and Charlotte Cranberg.
Treasurer, Pat Ware reported the cost of the Boon workshop and demo was $296.58 after all expenses were in.
Alisan reported on the Permanent Collection. John Pittenger will survey the land.
Pat moved that we ask the membership to approve giving increments of $1,000.00 to the Permanent Collection as funds become available. The motion passed.
Future meetings were discussed. It was decided to charge $35.00 for the Makishima workshop on Monday, September 25th.It would be limited to 8 people and will be a bring your own tree workshop.The lecture/demo will be on Tuesday the 26th.
The Herb Gustafson afternoon workshop and evening lecture/demo on Saturday, October 14th will feature saikei. The workshop will be limited to 10 people who will pay $60.00 and bring their own pot or tray, not larger than 24 inches, and bring no more than 7 or 9 trees. The club will supply the soil. There will be a barbecue covered dish dinner in between this workshop and the lecture/demo. We will, again, charge non-members $5.00 for observing and $5.00 for eating & lecture/demo.
The August 5th joint meeting with San Antonio will be a covered dish supper at 4pm, but come at 3pm, and the program will be at 5pm.
The meeting adjourned at 8:45pm
Start putting together items for our annual auction in September AND saving your money so you can buy even more than you bring!
by
Fawzan Barrage
former Austin Member
The common bond between all masterpieces of art is sincerity. It is this sincerity that invokes in us a moment of epiphany; that moment of effortless discovery and joy, or what the Japanese call "Te" (unthinking, unconscious ingenuity and creative power of our spontaneous natural functioning - a power that is subdues when forces to conform to our logic). Without this sincerity, creativity is reduced to method, art to duplication and masterpieces to perfect replicas.
If we are to have a truly North American movement in Bonsai, OUR contribution to the art has to be, in every way possible, reflective of OUR reality and OUR understanding of the indigenous nature of OUR continent. Just like it is easy for the trained eye to distinguish between a bonsai trained in the Chinese method and one trained in the Japanese method, our bonsai has to be clearly identifiable by the way we adapt the classical "rules" to conform to our nature.
It is the image of our indigenous trees that must inspire our art movement and not the photographs of bonsai from Japan. In contemplating Maples, for instance, it is more natural for us to envision a majestic Maple growing next to a farm house in New England than a Japanese grove with Mount Fuji in the background. The same holds true for our Bald Cypress, our Oaks, Elms, Figs, Junipers, Pines, etc...We all live among those trees and their shade at different time in our lives. The Japanese artists who create the bonsai at which we marvel in books and magazines take their inspiration for the indigenous nature of their islands - as we must take our's from the nature around us. I f all we do is copy the trees of Japanese artists, we would do no better than a painter dedicating his art to copying the great works of the Masters.
It is truly revealing how we will not give a second thought to endowing our bonsai displays with Japanese and Chinese figures, but scoff at the sight of a miniature tire hanging from a bonsai branch, reminiscent of many of our own backyards. Which is more sincere to our collective eye? Where in North America can you readily see a Japanese man dressed in his traditional kimono and reading a book in the shade of a Bald Cypress, Canadian Spruce or Cedar Elm?
We musty begin to understand that the Art of Bonsai is no more exclusively Japanese or Chinese that theater and poetry are exclusively Greek. These cultures created the art forms and should always be honored for doing so. Yet, had we insisted on simply copying the Greek drams without adapting the art form to our own culture, theater would have remained stagnant and eventually disappeared. All of the masterpieces of drama and film - from Shakespeare to Scorsese - would not have come about.
It is acceptable for a beginner to copy existing works of art in order to learn technique and method. Once we are over that stage however, Nature should be our inspiration instead of pictures in bonsai books and magazines. If you want to create a Cedar Elm bonsai, for example, visit the Hill Country of Texas and look at what Nature has done with those trees in their native setting. Barring an actual visit, have a friend photograph some of them for you. Learn the tree’s growth habits, distinctive looks and study its natural shape. Take notes - all artists do. Armed with that knowledge, let your creative genius take over. The result will be on YOUR sincere interpretation of Nature, OUR bonsai art and, hopefully, our North American Bonsai Masterpiece.
Reprinted from Texas Bonsai, LSBF publication, Summer, 1991
by
Jan Davidson & Wanda Woods
There was once a storm raging higher and higher,
Which accidentally caught my bonsai afire.
We were all amazed,
To see such a blaze!
Oh, could I have wrapped it with too much wire?
by
Elaine White
Bonsai Clubs International and Hawaii Bonsai Association wee the hosts for "International Friendship into the 21st Century". The convention hotel was on the Waikiki beach of Oahu with flowering trees and huge banyans everywhere.
The large exhibit was a refined image of the outdoor landscape. Banyans with aerial roots and many trees planted on lava rock.A few landscapes needed four men to lift them. The four main islands of Hawaii had a team of 3 men each creating a landscape at the same time. Spectacular!
There were local bonsai garden tours every afternoon, 6 total; but a very small bazaar with only 6 vendors, no trees ---surprise!---the Chinese couple selling stones that were at our Corpus Christi Convention.
The three headliners each conducted an hour critique of the exhibit trees. I signed up for Susumu Nakamura’s critique and found it very informative. Terry Ward will be interested to know that he critiqued all accent plans also and changed sides of almost all of them.
Warren Hill, curator of the National Bonsai Penjing Museum in Washington, D. C. created a forest of 43 trees called "shortie" banyan. Yunhau Hu, director of the Shanghai Garden Administration Bureau, created 2 penjing on a marble slab at the same time. One showed the domination of the tree and, in the other, the rocks were dominant. In both penjing the rocks used were carved feather stone (grey lava rock). I found it very strange that Mr. Hu was even taller than Nakamura san.
A very good convention in a beautiful state.
Chicago has withdrawn its bid for BCI 2001; so BCI will sponsor a cruise, (yes, workshops on a ship) leaving from Miami to Nassau and some points in between.
Our good friend, Solita Rosade was elected by the Directors to serve an unprecedented 2nd term as President of BCI and, another good friend, Alan Walker of Lake Charles, La. will be Executive Director.
I will bring pictures to the Austin/San Antonio meeting on August 5, 2000.
Put this date on your calender and circle it!
Plan your vacation at that time!
Austin and San Antonio are combining with LSBF to have the State Convention at that time. It will be held at the Civic Center in New Braunfels. LSBF has formed a convention committee to have an active participation. Committee chairpersons are being named as we go to print. BUT, all members in BOTH clubs will be working with each other to make this a success. Everyone is excited about this new concept initiated at this Convention.
Come to the combined meeting with San Antonio and Meet the people who will be planning the above mentioned Convention!!!!!!!!!!!!
Show Chairpersons: Chuck & Pat Ware
Registration Chairpersons: Greg & Shelia Setter
Treasurer: Arlene Hastings
Vendor Chairpersons: Mike & Candy Hansen
Goodie Bag Chairperson: Libby Huffman
Exhibit Chairperson: Marty Klajnowski
Transport/Hospitality Chairperson: Gary Martilla
Co-Chairperson: Rachel Cynwinski
Raffle Chairperson: Loria Norberg
Co-chairperson: Alfred Lopez
Monitor Chairperson: Jeff Holmes
Co-chairpersons: Audrey Lanier & Charlotte Cranberg
Food Chairperson: Sandra Vitone
Co-chairperson: Mary Martini
Offer your help and support!!!!!!
Hello!
Hello!
We need ideas for a name or theme for the convention Please give your ideas to Chuck Ware
We are having a special free workshop just for you to encourage you to stay with us Check with Alisan to be sure you are on the list.
by
Alisan Clarke
I hope everyone had as good a time as I did at the LSBF Convention! And to remind EVERYONE that our 4th Wednesday group gives the good hands-on experience that prepares you for these conventions. So let’s see more of you there on that Wednesday!
Please help me organize the job description portfolio that I am doing. Anyone and everyone, you help this club in so many ways that only you know the procedures. Just jot it down and give it to me, anytime, so that when & if that has to be done again, and you are not available to do it, someone else will have an idea of where to start.
If you haven’t signed up for a covered dish for our next SATURDAY meeting, bring one with you and join us anyway!
by
Charlotte Cranberg
The June meeting of the Austin Bonsai Society was called to order at 7:30pm in the Austin Area Garden Center by President Alisan Clarke. She thanked the hostess/host Eileen Deeter and Don Rehberg.
Mike Powers gave a report on the success of our clubs’ recent bonsai exhibit.
Chuck Ware reported on the progress of the LSBF Convention to be held in 2002 jointly with San Antonio.
John Pittenger showed the group the native Texas Ebony that he had carved at the LSBF Convention in Corpus Christi. Charlotte Cranberg showed her Wrightia Religiosa. Both were impressed with the quality of the Corpus Convention and encouraged others to attend these bonsai opportunities.
Elaine White spoke on the status of the Permanent Exhibit. She said that LSBF had voted, at the meeting in Corpus Christi, to support the exhibit . Also, that $162.00 was collected for the exhibit at our May show. She has contacted Don Freeman, Horticultural Chairman of the Austin Area Garden Center and set up an appointment for Friday, June 23 at 1:30pm for Terry & Sheila Ward and herself to talk to the board of the AAGC about getting space in Zilker Botanic Gardens for the Permanent Exhibit. Any Society member is welcome to attend. Bill Cody has volunteered to be chairman of the foundation funds. The first meeting of the exhibit committee will be Wednesday, June 28 at 7;30pm at the Garden Center. Subsequent meetings will be held on the third Wednesday at 8pm after the Society’s board meeting. Members are encouraged to attend and participate in the first stages of this project.
A sign up sheet was passed around for food for our barbecue dinner in July.
Mr. Yande Li spoke on “The Art of Pensai”. He was introduced by his son, Richard, who proceeded to translate for him. Mr. Li then showed us many beautiful slides of Chinese pensai.
Boon’s start in bonsai was the result of a birthday gift: of a small juniper bonsai. Before long, he joined the Bonsai Society of San Francisco, the club through which he took his first beginner class in the spring of 1989. Anxious to learn as much as possible about bonsai, Boon studied with as many teachers as he could find in California.
Serious study began when he hosted Akio Kondo, Kihachiro Kamiya’s first apprentice. Mr. Kondo arrived as what the Japanese call a first-year professional, and he stayed at Boon’s home for one year.
In 1993, the Golden State Bonsai Federation awarded Boon a Teacher Development Scholarship; two years later, he received the Ben Oki International Design Award for styling a Sierra juniper.
In 1995, Boon received several informal offers to study bonsai in Japan. Several months later, he traveled to Tokai En, Toyohasi, Japan, where he studied bonsai as a formal apprentice with the Kokufu-prize-winning Yasuo Mitsuya.
No longer an apprentice, Boon still returns every year to Japan for prolonged work periods in the famous bonsai garden Tokai En.
In 1998, Boon founded and became the teacher of Bay Island Bonsai. He also started his service and styling company, Bonsai Boon. In April 2000, Boon won the Grand Prize in the Kindai Bonsai Styling Contest in Japan (Sponsored by Kindai Bonsai Magazine). All contestants had to style a large Japanese white pine, Boon was the only non-Japanese in the top ten. Today, Boon makes his living as a full-time bonsai artist in Northern California. He styles client trees, lectures, puts on demonstrations, holds workshops, and finds sources for customers’ show-quality bonsai.
Reprinted from website: www.bonsaiboon.com
by
Charlotte Cranberg
The June Board meeting of the Austin Bonsai Society
was called to order at 7:15pm by Vice President James Allan in the absence
of President Alisan Clarke. Present were James Allan, Mike Powers,
Charlotte Cranberg, Chuck and Pat Ware.
Every chairperson and committee person is
going to be asked to write a job description of their job for the club
files. James suggested putting the job descriptions on the web site in
the archives. There was also a discussion of where the minutes are
being kept.
Mike reported on the financial results of the bonsai exhibit. Total revenue minus expenses was $250.00. In addition the permanent exhibit collected over $160. at the entrance table to the exhibit. Mike said that Terry Ward had donated all the lecture-demo material he used both days; and, of course, his time and efforts in presenting the excellent demos which were then donated to the raffle. Other raffle donors were Charlotte Cranberg and Elaine White. Refreshments were donated by many members - too many to mention but all were to be thanked.
The July meeting was discussed, as well as the August meeting, which will also be on a Saturday. Sign up sheets for food for the joint meeting in San Antonio in August will be available at the July meeting.
All members need to be encouraged to come to the 4th Wednesday meeting as it is no longer just for beginners, and is our only “hands on” opportunity this year with all the invited speakers and guest artists we’re having. We need to practice what we learn for the speakers.
Chuck had approached the Lone Star Bonsai Federation delegates about the 1/3 split for the State Convention in 2002. Approval was given.
The meeting adjourned at 8:15pm.
by Richard E. Hayes (reprinted from LSBF Publication “Texas Bonsai” Fall 1992)
Have you had the experience of watching a bonsai artist create a jewel of a tree from what appeared to be a confusing mass of trunks, limbs and masses of foliage; getting inspired enough to run to our favorite nursery to find something that resembled the artist’s original material; and achieving frustration when you started, forgetting where to begin and what to do next - much less ending up with something resembling a bonsai?
Of course you have had this experience! We all have. It’s basic to the beginning bonsai experience. If, however, you are now marking your fourth, tenth or twelfth year in bonsai and still have extreme difficulty in finding a bonsai in a collected tree or nursery grow specimen, you might need to review the basics of bonsai design, while keeping in mind that there is not always a bonsai - at least what will look like a bonsai in a short time - to be pulled from every potted, healthy-looking tree.
John Naka and other Masters of bonsai have repeatedly pointed out the good bonsai can be made only from good starting material. In an IBC workshop a few years ago, a bonsai teacher was aghast at the prospect of using the poor plant material which had been selected by members of the host society. Very few bonsai artist allow their lecture/demonstration materials to be preselected by members of the host society. Nearly every Master chooses his material after close and thorough examination. For what does he look? Obviously, he seeks those elements of design inherent in natural material, which will combine to produce a near-instant bonsai.
If you were to follow the “Golden Girls of Texas Bonsai” - Fran Bruchmiller, Yvonne Padilla and Cathy Rehberg - as they go through a nursery, you would see them pushing aside foliage to examine trunks for character, taper and line. You would see them on their knees feeling in pots for root development. You might hear them ask about growing habits of unknown, interesting material.
These three local bonsai experts have so thoroughly integrated the basics of bonsai design that they can quickly “separate the sheep from the goats.” So much for rambling. Now, now to basics!
The trunk and surface root development are the two most important aspects of bonsai design. To create the image of an old tree, made small, there must be a trunk which has a buttressed base exhibiting the character and strength produced by age. The tree would taper upward from a firm, full base to the thinner top trunk gone to branches.
In bonsai the trunk is inclined toward the viewer. Roots radiate from the trunk; yet they do not grow straight to the front, not do they reach the edge of the container before disappearing into the soil. Major cuts are made, wherever possible, so as not to be visible from the front. In formal and informal upright styles, branch placement is begun, generally, one-third (1/3) up the trunk, either on the right or left, with the next branch opposite and higher up and with next higher-growing branch placed behind the trunk. Ideally, the side branches should be angled slightly forward in order that the leaning trunk and limbs embrace the viewer. As in Nature, the lower branches are the thickest, with the smallest growth at the top of the tree. Where to begin? Most bonsaiists work on the basic structure of the tree first and then do the refining. Wiring of secondary and tertiary branches, to produce foliage pads, comes as the last stage.
Apex alignment to the nth degree is usually done after potting. Frequently, the potting process will inadvertently misplace several limbs which can then be realigned.
Except for round, square or equiploygonal containers, bonsai are placed off center. Conifers, by tradition, are planted in unglazed containers. Trees for glazed containers should have a dominant color feature which harmonized with the glaze. Oops, I got off the topic!
To make the bonsai design work for us automatically, we must practice ad infinitum! Educational psychology tells us that we retain about 10% of what we hear, 15% of what we see, 25-30% for both and 40% of what we have learned by doing. Take workshops, help others with their trees and give lecture/demonstrations. We remember most what we teach. Grab those new members and TEACH THEM!
In late March 2000, the collection was enhanced with the arrival of seven large satsuki azaleas. They were a gift from the Japan Satsuki Association to the Arboretum. Discussions had begun two years ago. The trees were on a direct flight from Tokyo to Dulles International Airport. Following a detailed inspection, the plants were released and immediately placed into pots that had been shipped with them Each of the plants has produced new leaves and appears to have survived the ordeal.
Six of the plants are finished bonsai while one of them is an unfinished azalea with a beautiful broad tapering trunk. This bonsai will be kept in an unfinished state until next spring when members of the Japan Satsuki Association come to Washington, D.C. to present a lecture and demonstration on the styling of satsuki azalea bonsai. Watch for a later announcement concerning the precise time and date for this event. This indeed will be a rare opportunity to see and interact with the leaders of the Japan Satsuki Association.
I wish to thank all of the members who supported
the convention, the raffle and for participating in the Texas Stars.
Austin’s support of the convention was a big part in making the convention
a success.
Again thank you.
Sincerely,
Yvonne Padilla
Convention Chairman
This website was sent to me with pictures of the LSBF Convention 2000 held in Corpus Christi. There are some nice pictures and you will probably recognize a few of the faces.
http://members2.clubphoto.com/clint205521/
Go down the page to “Private Albums” and type in the word symposia for the password. There are 2 album pages with 72 pictures.
by
Wanda Woods
Graceful, curving limbs
Black etchings on azure skies;
Winter’s bare beauty...
Tiny curls unfurl
Emerald decorations
Signaling rebirth..
Shimmering yellow,
Hot, glowing sunshine saunas;
Bathing our world gold...
Nature’s artistry
Painting speckled, russet leaves;
Clinging, brittle flecks...
May 27, 2000
The President, Buddy Allen, called the meeting
to order at 7:03 AM.
Buddy stated that our budget was not approved at the January meeting. Bob Swindle moved that the budget be approved. Chuck Ware seconded. Motion passed.
Chuck Ware moved that the minutes of
the last meeting be accepted as presented. Sheila Ward seconded.
Motion passed.
Pat Ware distributed and summarized
the Treasurer’s Report. $746. dues income received. $400. paid
to Dallas for preparation for the next convention. $306.77 for newsletter
expenses. $37.95 for preparation of the LSBF handbooks. Attachment
to Treasurer’s report included the convention schedule of responsible clubs
from 1982 to 2012. Pat also presented an attached proposal for the
disposition of the books and videotapes in the LSBF library to the clubs.
After a brief discussion, attendees agreed to the book disposition and
to table the videotape decision until the October meeting. John Miller
made a motion to approve the treasurer report, convention schedule, proposed
library book disposition and hold the videotape decision until October.
Bob Swindle seconded. Motion passed.
Chuck Ware distributed third draft for Dennis Makishima’s fall tour. Chuck asked for feedback from the delegates and alternates regarding the schedule and the names of the club members that will be driving Dennis around the state. Attendees asked Chuck to continue as the chairman for 2001 fall tour. He agreed and requested help from the attendees to locate and contact potential speakers.
Yvonne Padilla stated the “we are out of the red” regarding the convention budget. Approximately seventy four (74) are fully registered and a few partial registrants. Eighty one (81) were in attendance at the Friday night dinner and program. A full convention report will be prepared for the next meeting.
John Miller distributed a preliminary brochure for the 201 convention in Dallas. The convention will be held in early spring on March 23-25th. Pedro Morales and Craig Coussins will provide the feature demonstrations and will direct workshops. Greg Setter and Vito Megna will also lead workshops. Dave Schleser will teach “Preserving your bonsai in print”. Trident Maples, Australian pine, buttonwood, ash junipers, and Japanese maples on slab.
Chuck Ware presented that plans are underway for Austin, San Antonio and LSBF to jointly sponsor the 2002 convention November 15-17th at the Civic Auditorium in New Braunfels. Chuck made a motion that the clubs and LSBF co-sponsor this event. John Kline seconded. Motion passed.
Chuck recommended the formation of a volunteer committee to investigate the future of the convention and how to encourage a stronger LSBF presence in the state event. The committee would consider alternative event formats, schedules, locations, club roles and/or responsibilities for future state-wide events. The four volunteers are Gail Williams, Buddy Allen, Chuck Ware, and Todd Davis.
Alisan Clarke presented a recommendation from the Austin Bonsai Society (led by Elaine White) that a Permanent State Bonsai Exhibit be developed in Austin at Zilker Park. The Austin club has been investigation how other states have developed their respective exhibits. After brief discussion, Chuck Ware made a motion that we approve the concept of a State Bonsai Exhibit. Bob Swindle seconded. Motion passed.
Terry Ward & Bob Swindle proposed
the formation of a historical archives of all the Texas Bonsai newsletters.
Several issues of the newsletters are missing which have valuable educational
information for historical and current reference. Terry distributed
a list of missing issues. The proposal is to consolidate all available
documents, solicit missing issues from past club members, scan the documents
into a computer zip drive and transfer to CD’s for club member use and/or
purchase. It would provide a permanent record of the history of LSBF.
The time and cost to prepare the archives is estimated at 116 hours and
$100-200. respectively. Terry said he would attempt to pay the cost
out of the current newsletter budget funds. John Miller made a motion
to approve the formation of the newsletter archives. Bob Swindle
seconded. Motion passed.
John Miller made a motion to adjourn.
Bob Swindle seconded. Motion passed and meeting closed at 8:01AM.
The butterfly
Even when pursued,
Never appears in a hurry.
Garaku
This past weekend was full of work for our bonsai show. I am sure Mike Powers will have a report for us elsewhere in the newsletter. Many thanks to our club members for their hard work, to our donors for the raffle, and to our vendors for their setup.
Terry Ward did two days of demonstrations for us and Ron Westra took many pictures of our trees.
We're off to the Lone Star convention at the beach in Corpus Christi. It should be an exciting time, especially for Sandra, our ABS appointee, and Els, who is going for Shohin. That gives us two club members in a special workshop with Chuck Ware. Let us be sure to tell our new members about all these fun events, so that they won't miss the fun and can plan for next year.
by Charlotte Cranberg
The regular meeting of the Austin Bonsai Society was called to order at 7:35pm on Wednesday, May 10, 2000 by President Alisan Clarke. She asked for a vote on the 12 person slate of officers for the American Bonsai Society Board of Directors. Pat Ware moved we accept the slate as presented. Bill Cody seconded and the motion passed.
Chuck Ware encouraged all to attend the Corpus Convention at the end of this month. He reviewed the workshops still available.
Pat Ware reminded members that the meeting in July will be on Saturday the 8th because of visiting artist Boon Manakitivipart. We will have a barbecue, provided by the club, with members bringing covered dishes. A sign up sheet will be at the June meeting.
Terry Ward passed out a survey for LSBF asking the membership their opinion on the annual convention. Most people preferred a summer date.
Gloria Norberg reported on a book from the library, Native & Naturalized Woody Plants by Brother Daniel Lynch.
Mike Powers gave us a lot of good and useful information about our upcoming annual exhibit.
Chuck Ware spoke about preparing our trees for our annual exhibit.
Alisan read the pros and cons that people had written concerning the permanent collection project that had been proposed by Elaine White. After discussion, a vote was take and the club voted 25 for and 6 against the proposal.
Chuck presented a proposal from the San Antonio Club to combined the 2002 & 2003 Conventions into one. This would be a joint venture under one chairperson and we will share responsibilities along with LSBF. All profits will be divided equally 3 ways. After much discussion, Eileen Deeter made the motion to do this and Marion Hastings seconded it. Motion passed unanimously.
The meeting adjourned at 9:30pm.
from Suzhou, China (southeast China) Mr. Li is currently the secretary general of the Society of Suzhou Landscapes Architects and Garden Designers. Also, he is the secretary general of the Suzhou Bonsai and Flower Society. He is in the U.S. working as the design consultant for Chinese Gardens. Our speaker had been the director of the Suzhou Institute of Gardens for about 15 years until his retirement two years ago. It provided him with a lot of opportunities to research in Chinese Classical Garden Design. The Institute has done a great deal of excellent work in both historical preservation and restoration, and New Chinese Garden Design (classical style) as well. Before that position, he had been teaching the Garden Design in Suzhou Garden Academy. Mr Li presents programs as his personal effort to do some cultural and art exchange while he is in the U.S. He has approximately 120 slides on Bonsai in China. Mr. Li will be accompanied by his son, Richard, who will serve as translator.
Hope everyone had a lot of fun in Corpus Christi (we know Ron & Sherri did! THE big raffle winners) and that you are looking forward to the next convention in Dallas on March 24, 25, and 26, 2001
Excerpts of the following are from the BCI Diplomatic Mailbag which is a quarterly publication for BCI Clubs' Ambassadors
by Kevin Bailey, UK
A good display bench is essential for the outdoor display of bonsai. Once your trees have developed to the stage where you are proud of them, keeping them on a purpose built bench has many advantages.
Among these are:
Before you begin to plan your bonsai bench, make certain that the site is the best one possible. Some of the crucial considerations are:
Then there is the question of safety - in terms of potential for damage by children (frequent footballs from next door, etc.) pets or pests.
The spot chosen must be convenient for watering and routine maintenance.
Adequate thought must also be given to the security of your treasured possessions.
Once the site is determined, decide which materials you favour for the construction. There are a few different options. Strength, stability and a pleasing form would be your aim. Timber uprights should be minimum of 4" x 4".
The price that you can obtain your materials for is likely to be a factor, so look around carefully for the best supplier.
http://home.austin.rr.com/ thewaldens/bonsai_show/indexl.html
after 5pm on Monday, May 22. Photo-quality prints are available at 25 cents each, which covers the cost of supplies. Otherwise, feel free to right-click and save any images you like. Email print request to mwalden@austin.rr.com be sure to include the image name.
Also, had someone send me this website for:
Jim Allan, our webmaster, writes that pictures of our show are on: www.main.org/bonsai
Put this date on your calendar and circle it!
Plan your vacation at that time!
Austin and San Antonio are combining with LSBF to have the State Convention at that time. It will be held at the Civic Center in New Braunfels. LSBF has formed a convention committee to have an active participation. Committee chairpersons are being named as we go to print. BUT, all members in BOTH clubs will be working with each other to make this a success. Everyone is excited about this new concept initiated at this Convention.
by Zachary Smith
At last count, there were 14,367 errors that can be made in bonsai training - well, that's how many I've made. Seriously, however, my experience in making errors (and seeing the results of others) has led me to conclude that a large portion of training mistakes can be related to poor timing by the artist. Most of us are familiar with the standard development techniques used to create the framework of our bonsai, but all too often we get in a rush to get the tree potted, thereby producing a less-than-exciting work of art.
For example, I have seen, in critique programs, bonsai-in-training in which there was an abrupt change in trunk taper. It was obvious that, during training, the artist removed the tree's leader with the goal of creating a new, tapering apex. This is a great way to improve your stock, a techniques all of us practice routinely. The only pitfall comes when you pot the tree too early. It is important to remember that, on potting, your tree's growth rate slows tremendously. That leader which was thickening nicely and promised to give you marvelous taper, has suddenly stopped thickening. The tree looks peculiar.
The solution to this problem is to back up a step, as much as it bothers you. Put the tree back into the ground or into a larger development pot. This will invigorate it, and your leader's growth rate will pick back up. You must be sure, however, that you restrain side-branch growth, as this will sap energy from your apex. Once this reaches the proper thickness, you can resume side-branch development.
Another problem I see (and have practiced myself) is the development of side-branch girth. In bonsai, a certain amount of mismatched side-branch thickness is all right, but we have all seen trees in which the number one branch (or another low branch) is of minuscule thickness compared to those occurring above it. It may be nicely ramified, which of course is one of your goals, but it looks peculiar. This is because the artist did not allow the branch to thicken sufficiently before reducing its length. Like me in times past, he/she could not bear to let that branch grow so long that it stuck way out and made the developing tree look strange. But you have to. Just as you don't pot a tree whose apex is underdeveloped, you don't ramify a branch which hasn't thickened sufficiently to be believable. Let it look funny for a while - you will be rewarded later.
Reprinted from TEXAS BONSAI (LSBF Publication) Summer 1990
Originally printed in Bonsai Society of Arcadiana newsletter May 1989
by Charlotte Cranberg
The board meeting of the Austin Bonsai Society was called to order at 7:10pm on Wednesday, May 17th, 2000 by President Alisan Clarke. Present were Pat & Chuck Ware, Gloria Norberg, Mike Powers, Charlotte Cranberg, and Alisan Clarke.
Pat Ware reported the cost to the club for Mas Imazumi's visit was $361.87. After discussion, it was decided that an invitation to the Boon workshop would be sent to all the Texas clubs.
Mike Powers gave an update on the exhibit. The signs that Jimbo's sign company made have been placed in front of the Garden Center to advertise the exhibit. All agreed that they look great.
The Civic Center in New Braunfels is being considered for our joint Convention with San Antonio and after discussion, the proposed date of November, 2002 was agreed. A committee from Austin & San Antonio will meet tomorrow to verify the facility.
The meeting was adjourned at 8:25pm.
by
Charlotte Cranberg
The April meeting of the Austin Bonsai Society was called to order at 7:30 PM on Wednesday, April 12th, at the Austin Area Garden Center by President Alisan Clarke. She announced that the permanent tree collection proposed by Elaine White will be voted on at the May meeting. Members are urged to read about it in the previous newsletters and ask any questions they may have ahead of time.
Chuck Ware brought in a Wrightii Religiosa, one of the workshop trees for the convention in Corpus Christi. He also discussed the other trees and workshops to be presented.
Sheila Ward introduced guests and new members.
The new outdoor signs for our yearly show, made by Jimbo, were displayed to the group.
Elaine White asked that everyone take flyers for our bonsai exhibit and distribute them to business establishments.
Mike Powers, Exhibit Chairman, told the group to groom their trees and clean pots in anticipation of the exhibit in May.
Next month, he will bring a sign up sheet for volunteers for the show. Everyone is encouraged to bring at least one tree for display and all are urged to help with the Friday night set up.
Jim Allan introduced visiting master, Mas Imazumi, who presented a lecture/demo on a Blue Atlas Cedar. The tree was raffled off and Ron Westra won it.
The meeting adjourned at 9:15 PM.
by
Mas Imazumi
Berkeley, Calif.
(With his permission)
The Kengai (Cascade) bonsai is a beautiful bonsai style and needs special techniques in its creation. I hope the following instructions will provide you with the information you need to complete a bonsai in the cascade style.
Most Junipers are ideal cascade material, especially the Juniperus chinensis sargentii (Shimpaku) or Juniperus procumbens nana and procumbens prostrata. Also, I particularly enjoy working with the Cedrus atlantica glauca (Blue Atlas Cedar).
Select the branches you wish to keep. It is best to alternate branches, and if you are not sure about removing a branch, keep it. Of course, remove the small branchlets and twigs growing out of the trunk so you will have a clean trunk line to work with.
Raffia is best to use to wrap the trunk of the tree as it protects the trunk when you do the heavy wiring and disintegrates over time. (Soak raffia well before using.) Tie raffia at the base of the trunk. You should have determined the direction in which you wish to bed the trunk for your cascade. Keeping the strands of raffia together (four or five strands at a time), place them along the trunk opposite the direction of the future bend. Every so often, tie this raffia to the trunk with a small (1 mm) piece of wire to keep raffia in place. (This wire is later removed when wrapping of the trunk is done.) Place the raffia all the way to the tip of the tree.
First Step - Prepare a 5 mm aluminum wire by cutting a length a little longer than from trunk base to tip of tree. Poke one end into the soil about two inches deep near the raffia knot at base of trunk. Hold this wire with your thumb and with the other hand bend the wire back towards you and then push it onto the trunk, over the raffia, repeating this movement every so often. At this point it is not necessary to extend the wire all the way to the tip. The bend/push maneuver assures that the wire will closely follow the trunk line.
After you have gone a ways up the trunk with the wire, take four or five strands of raffia, push the end under the wire and bring these strands down to the trunk base. Start wrapping the trunk with the raffia clockwise over the 5 mm wire. After wrapping about two to three inches, start wrapping counter-clockwise, first pushing the raffia under the wire and then proceeding as before. Doing this will keep the wire tightly bound to the trunk so it won’t move in any way during the bending process later. Continue changing direction from clockwise to counterclockwise as you wrap the trunk, being sure to wrap it very tightly. When you reach any of the 1 mm wire, remove it. Don’t forget to do this, as this little wire can very quickly begin biting into the trunk.
When the raffia strands begin to thin out, and there is still more trunk to wrap, take a new set of four to five strands, place about two inches on prior raffia wrap, push under the 5 mm wire and continue the wrapping. Anytime you reach 5 mm wire that hasn’t been aligned to the trunk, use the same bend/push motion as before, and do this as often as needed. If you need a rest, or are interrupted while wrapping, place the remaining portion of raffia strands under your wire so it will stay tight and not start unraveling. When you reach near the end of the trunk, where branches are thinner, discontinue wrapping. Tie raffia strands well so there will be no chance of having it unravel.
Second Step - Cut 5 mm wire one and a half times the length of the trunk if the trunk is of fairly large caliper. If of a smaller caliper, cut one and one third the length of the trunk. Now, start spiral wiring on the main trunk, keeping spirals about 50 degrees apart. First, of course, anchor this wire in the soil at trunk base. When you reach the point near the end where there is no raffia, wire somewhat loosely so wire won’t bite into the trunk when you bend in that area.
Now, anchor a second 5 mm wire, cut one and one fourth the length of the trunk, and wire it in a spiral fashion between the first wire spirals. This meth